Had a quick look. Scene looks ok and cuts well. Just a bit worried about the light on the side of probation officers face. Can this be lifted using a mask - she looks pretty still? Look at secondary grade in colourist II. You can add a mask and then increase exposure.
Have you looked at the vector scope in Premiere? the mids look very flat to me and the colours are not really standing out - red top for example. Use the vector scope to get a good colour match across the scene. Im sure you know how to use it, if not let em know.
I''l sit down a some point this weekend an look at the scene in more depth just to make sure the shots are what were looking for - good going thought!!
I like the cut. Not sure about handheld cutting to still camera though. Gives a different perspective from the handheld as if there is someone else watching and following the action.
Also can I see the original without the grade so there is a comparison.
Had a quick look. Scene looks ok and cuts well. Just a bit worried about the light on the side of probation officers face. Can this be lifted using a mask - she looks pretty still? Look at secondary grade in colourist II. You can add a mask and then increase exposure.
ReplyDeleteHave you looked at the vector scope in Premiere? the mids look very flat to me and the colours are not really standing out - red top for example. Use the vector scope to get a good colour match across the scene. Im sure you know how to use it, if not let em know.
I''l sit down a some point this weekend an look at the scene in more depth just to make sure the shots are what were looking for - good going thought!!
p.s. where are Matts and Nats scenes & grades?
I like the cut. Not sure about handheld cutting to still camera though. Gives a different perspective from the handheld as if there is someone else watching and following the action.
ReplyDeleteAlso can I see the original without the grade so there is a comparison.